Saturday, June 24, 2017

Doubling Down !

In April of 2007 I converted most of my astrophotography efforts to use medium format film.  The acquisition of the Pentax 67 soon brought forth amazing images of the Milky Way as well as night landscapes under the light of the Moon.  The Pentax 67 is a great system and I soon had a lens collection to offer near unlimited flexibility in my compositions of the starry realm.

This past April I came across a deal I could not refuse.  I added a second body and two lenses.  The lenses were duplicates to what I owned, but an idea floated around in my head.  The recent addition of a new german equatorial mount made it possible to configure many possible arrangement of cameras and telescopes.  I purchased the necessary Losmandy plates and gathered an old Televue Ranger to be used as a guide scope.

Two Pentax bodies and matching 105's make a formidable team.  Simultaneously exposing two frames will make lighter duty of combined framed images and mosaics.  

The Meade LXD75 and secondary systems holding the two Pentax 67's and guide scope


I do not believe this has ever been done or if it is workable.  I believe it is.  I have the freedom to use lens pairs or two different focal lengths if desired.  It will make mosaics much easier.



The two Pentax 67's with 105mm f/2.4 lenses


The image below is an example of two frames using the 105mm.  The two frames were exposed  sequentially.  The new mounting and camera configuration will make this a "one shot" effort!


A mosaic of two frames with the 105mm f/2.4 lenses


This image was done with two frames using the 165mm f/2.8.  This is another possibility using the two camera setup.


A mosaic of two frames with the 165mm f/2.8


So planning continues.  I will give it a try later in the summer.  Skies darken very late in June and time to shoot is very limited.  I prefer late August to begin film work. Skies darken early enough to get a good session in prior to midnight. 

When the year started I was looking for direction as to where I would go in my efforts.  The digital workflow has made me lazy and I was never 100% happy with the colors and textures.  It appears I will still work with film for some time to come.

There are plenty of digital astrophotographers out there.  They do good work.  This is my story.  I'll tell it a bit differently.




Saturday, June 10, 2017

The Full Moon of June!

On Friday morning, my friend John Stetson had imaged the setting Moon on the western horizon right before sunrise.  He had lamented that he would not get the shot that evening as weather was expected to be unsettled.  Sure enough the forecast looked bleak, but the onset of clouds in eastern Maine looked like a close call.

After dinner clouds were drifting in, mainly thick cirrus.  This could actually be a benefit to the shot I was hoping to get.  Clouds often add to the composition.  As Moonrise was approaching I grabbed the camera and tripod and headed down to the pond.  I've done this path a thousand times before.  It's my backyard.

The Moon was just coming up when I got into position.  There was plenty of gaps in the clouds and some drifting in and out of the view.  I took a series of images over a twenty minute span and then headed back as the clouds of mosquitoes had me at my wits end!


Moonrise Over Flanders Pond

I think it worked out well.  The Full Moon of June is also known as the Full Strawberry Moon by tradition.  This is also a "micromoon" as our natural satellite is at apogee, far in it's orbit around Earth. 






Monday, May 29, 2017

Touring The Milky Way


This past winter, with much idle time, my mind wandered and dreamt of summer observing.  Fast Forward to earlier this month.  The moment arrives and the weather forecast looks promising.  The equipment is all set and it is going to be a great night!

Because the view east at my home is obstructed with trees and the opening to my south is limited, I chose to go to Schoodic Point.  The skies are a bit darker and the horizon is ideal.  I was particularly interested in points south of Messier 8 down to about -40 degrees declination, maybe a bit further if atmospheric extinction was tolerable.

I arrived at a small parking area on the east side of the Schoodic Peninsula around sunset.  Schoodic is part of Acadia National Park east of Mount Desert Island.  I had documented the dark skies here in 2008, as part of a cooperative agreement between the National Park Service and the Island Astronomy Institute.  The resulting Nightscape Survey revealed pristine skies overhead and in the areas facing away from population centers, primarily south.  The survey showed Schoodic to be a dark sky haven, quite possibly the best east of the Mississippi.  Typical Sky Quality Meter (SQM) readings average 21.75-21.85 mags/sq-arc-sec with no Milky Way overhead.

Looking southeast after sunset, the Belt of Venus appears over the Atlantic

I'm a frequent flyer at Schoodic.  I've been photographing from this beautiful location for about a decade. It is special to say the least and more and more people are discovering it.   May is the perfect time for me to arrive here for this special night.  The tourists have yet to arrive and visitors tend to be local.  May is also a great time to get a jump on the wonders of the summer sky, you just need to stay up well past midnight to see them.


The Equatorial Mount and DSLR


It only takes about 30 minutes to set up the equipment and once Polaris is visible a few minutes to polar align the mount.  The window for dark skies, the time from astronomical twilight ending and beginning would be from 10:10 PM to 2:46 AM EDT.  Moonrise would coincide with the onset of astronomical twilight at 2:45 AM.  Roughly a 4-1/2 hour window of darkness.

Checking focus on the Vixen 16x80 binoculars

As much as I had planned on doing astrophotography from this site, I was anxious to get a glimpse of the full glory of Sagittarius' Great Star Cloud and point southward.  I came equipped with a pair of Vixen 16x80 and SG2.1X42 binoculars.  Touring the Milky Way with binoculars is perhaps the easiest way to enjoy the great star masses as well as bright and dark nebulae.  Under dark skies, these smaller instruments really are the best way to see them.


The evening began with a panorama of the Milky Way rising in the east.  I used four images with a fast wide angle lens.  The view includes light domes from Machias which is the largest population center looking north. Fortunately it is in the opposite direction of where I will be looking come early morning.

The Milky Way rise!

The views became incredible as the night turned to morning.  Watching the wonders of the southern Milky Way rise over Schoodic Island was amazing.  Atmospheric extinction was average, darkening the lowest 5 degrees of visible sky.  This is seen easily in the photos, but was not unpleasant in the binoculars.  Stars were visible right to the ocean.  The effect visually was stunning!  

The Great Sagittarius Star Cloud rises over Schoodic Island.
The glow of the star cloud is reflected in the ocean waters. 

There was a fair amount of natural air glow, both red and green varieties revealed in the photographs.  As the Milky Way worked its way towards the meridian things were getting very interesting.  In the large binocular the essential bright and dark structures were obvious.  The west side of the Great Star Cloud was magnificent!  Dark structures superimposed over the great mass of suns were opaque and the whole background glowed! Words fail to describe how wondrous this object is.  My instinct upon seeing this is to sell all my photo gear and invest in more visual equipment!

The full splendor of the Galactic Center

The image above was the image I was after.  The frame sets just above the ocean line and extends beyond -40 degrees declination.  The air glow hindered the lowest portion of the image, but I am happy with it.


Wondrous Night at Schoodic

I'm taking in the view as the camera and tracking platform do its work.  Seeing this deep and this wide is a privilege.  Most Americans don't get to see this.  The night skies of this particular area of Maine are a treasure.  It needs protection.  If we ever loose sight of our home galaxy we are doomed in my opinion.  Perhaps.


The Great Rift through Aquila and Scutum

The clarity of the skies north of Sagittarius stand out.  The image of the Great rift above illustrates fine details, much of which can be seen in extensive detail in binoculars.  

Southern delights hang above illuminating Schoodic Point 

Seeing the entire tail of Scorpius above the horizon was a joy to view unaided and with the SG2.1x42 binocular.  Descriptions would fail to convey just how awesome (in the true meaning of the word) this is.  A visual feast for the avid stargazer.  In my almost 40 years of observing the night sky, this was a night to remember.



Moonrise marks the end of the night and morning light begins


The darkness is coming to an end and in the northeast Moonrise is occurring. Inspired by the hours of observing I am compelled to read aloud, alone on the peninsula, my favorite poem by none less than Robert Burnham Jr.



Midnight.....
There is no sound in the forest -
only the phantom murmur
of the far wind
and the wind's shadow drifting
as smoke
through ebon branches; there a single star
glistens in the heart of night....
A star!
Look skyward now...
and see above...INFINITY
Vast and dark and deep
and endless....your heritage:
Silent clouds of stars,
Other worlds uncountable and other suns
beyond numbering
and realms of fire-mist and star-cities
as grains of sand....
drifting...
Across the void....
Across the gulf of night....
Across the endless rain of years....
Across the ages.
Listen!
Were you the star-born you should hear
That silent music of which the ancient sages spoke
Though in silent words...
Here then is our quest
and our world
and our Home.
Come with me now, Pilgrim of the stars,
For our time is upon us and our eyes
shall see the far country
and the shining cities of Infinity
which the wise men knew
in ages past, and shall know again
in the ages yet to be.
Look to the east....there shines
the Morning Star...soon shall the sunrise come...
We await the Dawn,
Rise, oh eternal light;
Awaken the World!
With trumpets and cymbals and harp and the sound
of glad song!
And now...
The clouds of night are rolled away;
Sing welcome to the Dawn
Of the bright new day!

From Burnham's Celestial Handbook, by Robert Burnham Jr., 1978.





Monday, September 5, 2016

The Dark Gems of Northern Aquila

Last night was an imperfect night, however there were still images to be made.  A dark clear night always has something worthwhile to offer despite haze and airglow.

One image in particular caught my attention.  My fascination with the Great Rift and it's meanderings though the northern sky has been a lifelong pursuit, both visually and photographically.   I've shot a lot of film at these regions and only lately have used the digital camera as a way to observe.  It is hard to believe that such a photo could be had in only five minutes.  My recent life changes demand I take less time for my favorite avocation.  It allows me to enjoy the night further expanding what is possible.

The target this time around is the region west of the bright star Altair.  It was a simple image to acquire.  A brief exposure using the Pentax K-5IIs and the venerable Samyang 135 f/2 @ f/2.8 and five minutes ISO 800.



The Span between Altair and the Great Rift 


Included in this grand view are many dark nebulae, a few notable ones, including Barnard 142/143 and less notably Barnard 334/337.  Dark nebulae LDN 673 and 684 straddle the Great Rift and are very tenuous.  All of these however are visible in large astronomical binoculars from a dark site.

Take a look at this region west of Altair next time you are out diving into the deep.








Sunday, August 28, 2016

Late Summer Astronomy


The summer has been a busy one.  Most clear nights have been spent inside sleeping and prioritizing daytime activities.  We all get out of practice with the things we love to do.  Late Saturday, my dog Hunter and I decided to get busy and setup the scopes and other equipment to ready the evenings observing.

Hunter and I preparing the 13" for viewing from the deck


This weekend was a great time to take in the great sky we live under on this perch called Earth.  The Milky Way arches high overhead at dusk, but low in the southwest lingers the galaxy center and it's full blown spectacle that is the Sagittarius Milky Way.  From the observatory, the center of our galaxy sinks behind the trees as seen from my front yard. A sure sign that autumn is near.


The Sagittarius Milky Way wanes in late August


A challenge objects in the late summer sky, NGC-6822, the famous Barnard's Galaxy, was near the meridian, ideal for seeing this elusive object.  I had not looked for NGC-6822 in years and thought it invisible, but I knew that with a wider view I may find it.  I had obtained a set of 16x80 binoculars in April and it was such an instrument that would allow me to find large faint objects.


Barnard's Galaxy with a wide-field camera

A quick consultation to a star atlas that plots Barnard's Galaxy and pointing the binocular to that region provided nearly immediate success.  Sure, it was faint, but it was there!  Nothing to write home about, but the soft glow, oriented north-south and the gradually brightening toward the middle matched the description of what to expect in the binocular.  A check with the star field and a panning of the 13" Dobsonian allowed a deeper investigation.  It stood out gently against the sky background and many field stars belonging to our own galaxy were superimposed over this object.  There was a granular appearance toward the middle, but otherwise just a larger version of what I had seen in the binocular.



The Great Andromeda Galaxy as photographed Saturday night


The sky was ablaze with so much to see.  Old friends like The Ring Nebula in Lyra, the Great Hercules Cluster, and two of the best galaxies in the night sky, the Great Andromeda Galaxy and the Pinwheel Galaxy.  Both galaxies were impressive in the binocular.  Andromeda filed the field of view of the 16x80's.  The Pinwheel revealed it's face-on spiral nature, and both views were most satisfying.



Messier 33 The Pinwheel Galaxy


It was after 1:00 A.M. and the Pleiades were just starting up over the tree canopy to my east.  In the binocular, the Merope Nebula was obvious and wisps of fainter blue tangle were suspected throughout the brilliant blue star cluster. A quick shot with the camera revealed more splendor.



Messier 45 in Taurus.  My last act in the wee hours of Sunday morning


At 2:00 A.M. I  was off to bed.  Dew had covered everything and I was ready to retire.  The stars will have to wait until next time, but we can always return to them.





Saturday, August 13, 2016

The Great Path

Back in late June I spent an evening at Schoodic Point along with the full Moon that occurred during the summer solstice.

In this photograph the full summer Solstice Moon of 2016 lingers low and casts the Great Path onto the Atlantic Ocean as seen from the Acadian coastline.


I employed a Pentax 67 with the wide-angle 55mm f/4 @ f/8 exposing for 8 minutes on Fuji Acros 100 film later developed in Kodak Xtol 1:1





Enjoy the pic!

Jim

Saturday, February 20, 2016

Common Questions About Analog Astronomical Photography

As a photographer who works with film, I often get inquiries on various social media as to how the images are done. This is especially true of my long exposure images. The most common questions have to do with exposure, equipment used, and how do I get those stars to be pinpoints if the exposures are an hour or more.  This blog post is my answer and I will link those that ask to it.

Astrophotography used to be the domain of amateur astronomers; astronomers did astrophotography. With the advent of the digital workflow, photographers have entered the domain, at least with what can now be done with a fixed tripod and camera arrangement. Professionals especially are well suited to produce excellent results with digital cameras. They have the resources at hand and workflow experience in post processing to best the work of what the astrophotographers of old used to struggle to accomplish with film.

Enter film based astrophotography. This is how it was done just fifteen to twenty years ago. There was really only one way to capture Milky Way vistas - with film.


The Sagittarius Milky Way Pentax 67 with 400mm SMC Takumar - Superia 100


One dispute over many professionals is experience. They are not astronomers, but many are bright enough to pick up on the basics of how the sky works. Some are truly gifted sky enthusiasts and as such produce superior work.

Personally, I do not recommend those just starting out with their interest in capturing the night sky photographically to use film. Digital is faster, easier, and encourages beginners to continue their efforts. Film based work can be unforgiving. I've tutored a few individuals who attempted it and were discouraged right from the beginning. There is so much that can go wrong.

So why film? I use film simply because it is what I have always used since I learned the craft in the early 1980's. In 2007, instead of switching to digital, I stepped up to medium format film. In 2016 I am still using film, although I have done some digital work. My other reasons for using film are aesthetics, continuity with traditions started by early astrophotographers such as E.E. Barnard, Max Wolf, and more recently, David Malin, to name but a few.

The nigh sky view from the observatory
Successive images overlapped to show fields captured with 400mm Takumar


For me this is an avocation and I can please myself with what I do, such as there still people who paint or sketch. When I perform my best work, I get great remarks but they are often mystified by my use of film despite my doing well with it. This seems to be the default nature of modern photographers. It prompts the question as to why? This also presupposes that there is no advantage to film, only disadvantages. But this simply is not true.

The Milky Way of Taurus and Perseus

Bright and dark nebulae populate this wintertime target

Pentax 67 105mm f/2.4 @ F/4 Kodak E200 - 1 Hour Exposure


Film images exist. I can show them to you. They are not virtual images or a representation of a kind. Original images exist in tangible form. They are imperfect, and they are vulnerable to the years following development.  Done properly, noise is never an issue in long exposure work with film.  Color films such as Kodak E200 deliver high fidelity red sensitive portraiture of the night skies.  Most digital cameras, DSLR's namely, need to be modified for extended red sensitivity.  Finally, rendition.  The look of film is unique.

Workflow  

The crux of this essay is to convey just how it's done. Analog astrophotography requires patience, years of practice, and perseverance before anything else. Good cameras, the proper films, and a way to share them in online communities are also required. The act of the image taking process itself is a sort of art.


The basics:


Access to dark skies away from city lights, good weather, and no Moon dictates where and when to do the exposures.

A properly aligned equatorial mount with provisions to compensate for the Earth's rotation is also a requirement. This may be the hardest part for many. I use a permanently mounted fork mounted telescope permanently aligned with the celestial pole. The celestial pole is the point in the sky where the Earth's axis point towards. Aligning the polar axis to this point allows the equatorial mount to work in parallel with the Earth's own polar axis. Alignment to within a few arc-seconds will allow extended tracking without trailing of star images during the exposure.


Heavy lifter!
Pentax 67 and 400mm SMC Takumar Riding Piggyback an 8" SC Telescope


A second part of this tracking mount is the clock drive. It's job is to rotate the polar axis counter to the Earth's rotation. It also needs to be accurate. Being a mechanical worm gear with a period of rotation of its own brings forth periodic error. No gear is perfect compared to the precision of the Earth's rotation, so we also need to correct this as time goes by. To do this we incorporate a drive corrector. The drive corrector allows the photographer to monitor a guide star as a reference to the Earth's rotation and manually correct via a small hand controller to speed up or slow down the clock drive when appropriate. This is called guiding.

The Small Sagittarius Star Cloud -Messier 24 Region
Pentax 67 400mm SMC Takumar @ f/5.6 Fuji Acros 100 1 hour Exposure


One can employ a small CCD camera in place of the guiding eyepiece to monitor the guide star and do the corrections automatically. This is called an auto-guider. It does the labor of constantly correcting the drive as needed. I do not use one, as I monitor the guide star (through the telescope the cameras are attached to) and correct manually. This is tedious work. Discouraged already?

A session goes like this:

At dusk, the camera is loaded with film (if not already) and mounting shoe to attach to the telescope is mounted to the 1/4-20 threaded tripod socket on the camera body, or telephoto lens mounting plate.

The telescope is exposed to the sky as the roof is rolled back at the observatory. Optics are checked, guiding eyepiece is installed and prepared to receive the camera.


The Piggyback mounted Pentax 67 with 165 f/2.8

The mount is made by Losmandy


The camera is mounted atop the telescope (this is called piggyback mounting) and locked into position at the proper balance point of the arrangement.

An area of the sky is selected for exposure. This involves lens selection for framing of a particular field. Lenses routinely used for this range from 105mm to 400mm focal length for the Pentax 6x7.

Once the field to photograph is established and the telescope is locked in place, a suitable guide star is centered into the double cross-hair eyepiece. This eyepiece is of the proper magnification to offer guiding corrections less than 10 arc-seconds. The star is centered at the same time the camera shutter is ready to be opened. Focus on all my Pentax 67 lenses are set at infinity stop as this seems to be true infinity. Lenses are stopped down to usually f/4.8 or f/5.6 for fully illuminated fields.

The exposure begins...................... The guide star is monitored and hand corrected for accurate guiding during the exposure. This can range from a short exposure of twenty minutes, to long exposures of an hour or more. Ninety minutes is the longest I've used in practice. One hour is typical.

In the Observatory with setup for a nights session of film based astrophotography!


Once the exposure is done, the shutter is closed and next frame advanced if another exposure is to be taken that night.

During exposure the sky needs to be scanned visually to make sure aircraft do not enter the photographic field. Gently capping the lens while the aircraft (or satellite) passes by, then removed to resume exposure. I've often capped the lens for five to seven minutes on a one hour exposure during busy aircraft times.

Wind. A windy night prevents most work from being done with longer lenses. Wider angle lenses can usually be employed with such conditions.

Dew. Nighttime moisture tends to build up on optics and this needs to be prevented or the lenses will fog up, causing stars to have halos. A small hair dryer works well. Gently “spray” the lens with the warm stream of air every 10 minutes on moist nights. Heating tapes can be purchased for such use as well. I use a hair dryer.

Developing films. Color and B&W films can be processed normally or push processed to bring out faint details. Only two currently produced films work well for astrophotography, Fuji Acros and Fuji Provia 100F. Legacy films such as Ektachrome 200, Superia 100, and Fuji 400F work great!


The Milky Way of Southern Ophiuchus
Fuji Acros 100 Produces fine astrophotographic images.
Pentax 67 400mm @ f/5.6 Fifty-Minutes Exposure


A scanning workflow is best done at home. With experience, more details and tonality can be elicited from your films. Post processing in Photoshop and astrophotographic softwares is of great benefit to film images.  Transparencies and negatives contain much more information than you might expect. Film has the added benefit of having less noise than digital captured sub-frames, so detail is high given proper exposure and proper guiding under ideal conditions.

Film based astrophotography has been a rewarding pastime. I've enjoyed the long hours under the starry dome, slowly building up photons on photographic films.  If anything, it has been a meditative process. Slowing down and doing it the old fashioned way, it is still a great way to capturing the heavens.


Flanders Pond Observatory

A shelter and a permanent setup  makes it all possible.  


More images at my Flickr site.  You can monitor my efforts, both film and digital on my Facebook page.  Twitter fans can find me on my Twitter feed.